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  • A man with black skin dances on a round white stage. He wears a wide blue cape. At the edge of the stage are two men and a woman in their midst. All of them are dressed in black. In the background is a choir. On the right sits part of the orchestra.
    Soura on stage dancing in cobalt blue robe. Scene from the "Messiah" performance with the German Symphony Orchestra 2018 in Berlin.  
    Photo: Kai Bienert

    Personal history | Burkina Faso

    Black Messiah

    Ahmed Soura lost his family in Burkina Faso and suffered racism in Europe. When he danced to Händel’s “Messiah” in Berlin, he understood: those who really want to be free must redeem themselves
    By Ahmed Soura 07/01/2022

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KULTURAUSTAUSCH is the magazine for international perspectives. It is published quarterly and presents international cultural relations from fresh perspectives. We focus on people and regions that rarely feature in the German debate.

Renowned authors such as Serhij Zhadan, Fatou Diome, Liao Yiwu, Ibram X. Kendi or Gioconda Belli have their say, as do other voices from around the globe from Afghan women doctors to mine workers in Congo to racing drivers from Qatar.

KULTURAUSTAUSCH stands for diversity and close-up journalism. Published by ifa – Institute for Foreign Cultural Relations in partnership with ConBrio Verlag.

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